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Small town, big life {F*ckface by Leah Hampton}


About F*ckface and Other Stories by Leah Hampton: 
F*kface and Other Stories is a brassy, bighearted debut collection of twelve short stories about rurality, corpses, honeybee collapse, and illicit sex in post-coal Appalachia.
 
The twelve stories in this knockout collection—some comedic, some tragic, many both at once—examine the interdependence between rural denizens and their environment.

A young girl, desperate for a way out of her small town, finds support in an unlikely place. A ranger working along the Blue Ridge Parkway realizes that the dark side of the job, the all too frequent discovery of dead bodies, has taken its toll on her. Haunted by his past, and his future, a tech sergeant reluctantly spends a night with his estranged parents before being deployed to Afghanistan. Nearing fifty and facing new medical problems, a woman wonders if her short stint at the local chemical plant is to blame. A woman takes her husband’s research partner on a day trip to her favorite place on earth, Dollywood, and briefly imagines a different life.

In the vein of Bonnie Jo Campbell and Lee Smith, Leah Hampton writes poignantly and honestly about a legendary place that’s rapidly changing. She takes us deep inside the lives of the women and men of Appalachia while navigating the realities of modern life with wit, bite, and heart.

My two cents

I have a penchant for short story collections so I was happy to get my hands on this debut collection by Leah Hampton. With such great timing, it was like a lovely breath of fresh air during the first lockdown in 2020. It was a relief to have a physical copy of short stories that made me laugh-cry-cringe and everything in between.

There are 12 stories in all, and each offers insight into everyday people's lives in a rapidly changing Appalachia, a region known for its beautiful mountainous landscapes, rich natural resources, yet extreme poverty.

I enjoyed each of these stories -- they are simple, simply told, honest, and some, very raw. I feel that they will resonate with many as the human experience in these stories are wide and varied. While the setting or the circumstances may not be within your own set of experiences, I can guarantee that the emotions they can stir up within you are very much relatable. They'll evoke bittersweet emotions - a mix of sad, tragic, and yes .... even hopeful. 

The stories

F*ckface is about Pretty, a young, very shy girl who works at the local grocery store. She's never imagined working outside of her small town but her more worldly friend triggers her discontent. Pretty finds an unlikely ally in her the person she and her colleagues dubbed as f*ckface.   

Boomer is about Larry, a dedicated firefighter who slowly loses his wife while fighting the greatest fire their area has seen in decades. 

Wireless is about Margaret, whose haunted past propelled her to leave her hometown. Ironically, family brings her back to confront her past and eventually come to terms with it. 

Parkway is about Priscilla, a park ranger, whose otherwise humdrum outdoor job brings her face to face with the occasional and shocking dead body. 

Twitchell features Iva who suddenly starts bleeding during a pottery class. This gets her started on a series of doctor's appointments which gets her questioning whether a job long ago at the local chemical plant - and economic bane of the town - is the culprit. 

Mingo is about a woman who accompanies her husband to visit her husband's stubborn father in the hospital. She gets much more than she bargains for, but finds herself willing to go along. 
 
Frogs is about middle-aged siblings, Carolyn and Frank, who try to spice up their mundane lives by joining in a nature walk. Ironically, they find themselves feeling uncomfortable and out of place as the only locals on the walk.

Devil is about tech sergeant Boggs, who visits his deeply religious parents to make amends. Unflinching in their belief, they denounce him as the "devil" they've always known him to be, and he leaves for Afghanistan sadly and tragically no closer to his family.

Queen is about a woman who tries to save her mother's legacy of taking action with her bee colonies.

Meat is about Alison, a young intern at the local dairy, faces small town life (and death) at a funeral after a big fire.

Saint is an homage to a beloved brother, a streams-of-consciousness meandering of precious memories throughout their lives.

Sparkle is about a woman who takes her husband’s friend to Dollywood, and gains insight into what a different life she could have had. 

Verdict: These slice-of-life stories of everyday people in Appalachia will make you laugh and cry, together, and in a good way. Highly recommended! Hampton is definitely one to watch out for!

Disclaimer: I received a copy through the publisher Henry Holt and Co. 

Let art speak to you. {The Goldfinch by Donna Tartt}


Let art speak to you.

About The Goldfinch by Donna Tartt*: It begins with a boy. Theo Decker, a thirteen-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by his unbearable longing for his mother, he clings to one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into the underworld of art.

As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love-and at the center of a narrowing, ever more dangerous circle.

The Goldfinch combines vivid characters, mesmerizing language, and suspense, while plumbing with a philosopher's calm the deepest mysteries of love, identity, and art. It is an old-fashioned story of loss and obsession, survival and self-invention, and the ruthless machinations of fate.

My two cents

Theo and his mother love living in New York. Thank goodness his good for nothing father is out of the picture. The humdrum life all changes in a flash. On this day, Theo and his mother take a side trip to the museum - a distraction from a parent teacher meeting that could only mean more trouble for Theo. This is a coming of age story that shows life's contradictory nature, bringing out the beautiful and darkest sides of people, set against the contrasts of the beauty and corruption of the art world.

Ever since I read The Secret History (my review), I knew that I was bound to pick up another book by Donna Tartt. And so it came to be.

***

Fresh from a trip from New York, I reveled in The Goldfinch because I had walked the halls of the Metropolitan Art Gallery, wandered the streets of the Upper East Side of Manhattan (and beyond) and took the subway many a time. This is Theo's world and it became tangible to me when I was reading it.

The Goldfinch is a book that I sorely needed to remind me why I read and why I love to blog about books: it's a story like this that reminds me that books contain life's truths. I've become absorbed in desire to book blog like a madwoman, I've done so many book tours, done all the bloggy and bookish memes. I've burnt out. I've returned. And now, I reiterate to myself: make peace with my book blogging lull and simply go for the ride.

Why I loved The Goldfinch

This forced me to slow down. This is a classic case of a book finding me when I needed it most. I needed to read it, and more importantly, to feel it. The first hundred pages or so begs for attention. Tartt's prose is incredibly immersive: you're there in the museum. You feel Theo's pain. You feel the angst, the hunger for sympathy and kindness. I dare you to want to be absorbed in this story.

It's highly relatable. I have very little in common with Theo. But I do have a lot in common with his foray of emotions and the mental state he is in through various incidents, often traumatic. I absorbed his tribulations, maybe a bit too much.

The painting "The Goldfinch"
From Wikipedia
The art, the art. I have a soft spot for anything involving art and the fact that this story delves into this world was a special treat.

The story revolves around the painting The Goldfinch (in Dutch: Het puttertje) by Carel Fabritius (1654). This piece seemingly begged to be saved by a dying man, and it called out to Theo as well. To me, the metaphor of art "speaking" to someone in a profound, sometimes even mystical way, is a testament to the power of art in general.

It polarizing. I love the fact that this book gets lovers and haters and thus makes for great discussion. If you love reading blogger's opinions, you'll get both swings of pendulum on this one. I was starting this and posted on Instagram. I got mixed reactions from "oh this is so good, you're going to love it" to "I couldn't get into it."

Don't read this ... If you're looking for action and a fast pace, put this down. If you hate chunksters, put this down. If you listen to other book bloggers negative reviews and are easily swayed, then don't read this.

Verdict

One of the most moving stories I've read in a very long time, this coming of age story set against the art world of New York forced me to slow down and immerse myself. My review is highly based on emotion, and I am not ashamed to say that sometimes some books hit me at a very raw level - similar to how art speaks to our souls. In short, The Goldfinch spoke to me. Will you allow it to speak to you?



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#Friday56 & #BookBeginnings: A Bad Beginning, indeed.


If you are interested in stories with happy endings, you would be better off reading some other book.
- p. 1

For Friday 56:
Unless you have been very, very lucky, you have undoubtedly experienced events in your life that have made you cry.  So unless you have been very, very lucky, you know that a good, long session of weeping can often make you feel better, even if your circumstances haven't changed a bit.
- p. 55 (p. 56 is blank!)

About The Bad Beginning by Lemony Snicket (A Series of Unfortunate Events, Book 1) *:
Dear Reader, I'm sorry to say that the book you are holding in your hands is extremely unpleasant. It tells an unhappy tale about three very unlucky children. Even though they are charming and clever, the Baudelaire siblings lead lives filled with misery and woe. From the very first page of this book when the children are at the beach and receive terrible news, continuing on through the entire story, disaster lurks at their heels. One might say they are magnets for misfortune. In this short book alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, and cold porridge for breakfast. It is my sad duty to write down these unpleasant tales, but there is nothing stopping you from putting this book down at once and reading something happy, if you prefer that sort of thing. With all due respect, Lemony Snicket


***

I'm on a reread and am at book 3 of the series now. But I couldn't believe I hadn't done a Friday post for the very first book!

I'm nostalgic about this series because the daughter grew up on it. She loved every single book in the series, picked up on quite a few of the literary references over time, and just enjoyed the tongue-in-cheek dark humour. Now, I sort of clap my hands in glee because I know she has such fond memories of the series.

Are you an ASOUE fan? If yes, what do you like about this series?

[And if not ... what the heck is the matter with you? ;) ]

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#Friday56 &#BookBeginnings: Tears and Laughter


I would not exchange the laughter of my heart for the fortunes of the the multitides; nor would I be content with converting my tears, invited by my agonized self, into calm. It is my fervent hope that my whole life on this earth will ever be tears and laughter.
- p. 13, from the Foreword

You have taken possession of my heart which Love has blessed, and enslaved my soul which God has honored. 
Yesterday I was carefree, living peacefully in these fields; yet today I am a prisoner of my absent heart.
- p. 56, from "The Victors"

About Tears and Laughter by Khalil Gibran*: Kahlil Gibran, author of "The Prophet" and many other famous works, is known throughout the world as the Immortal Prophet of Lebanon and the Savant of His Age.

This new, enlarged volume contains much of Gibran's magnificent poetry and various prose pieces which he wrote when scarcely twenty years old. Translated superbly into English from his beloved mother tongue, Arabic, these timeless writings reveal his remarkably mature grasp of a subject which has challenged philosophers throughout history until today - man's destiny and the meaning of his existence.

In this volume also is Gibran's heralded story, "The Bride's Bed", a strange, gripping tale that is both a plea for individual liberty and an expression of his bitter condemnation of pre-arranged marriages of children by their parents. It is widely recognized that Gibran, through the razor-sharp attacks in this story and others like it, was responsible in great part for many social, political and religious reforms throughout the East.


***

I am huge The Prophet* fan, so I pounced on the opportunity to buy a copy of this book. Reading Gibran is a wonderful way to get perspective and to think about life. If you haven't yet made his acquaintance, I hope you take the time to seek out his books; they never disappoint.

Have you read any of Gibran's work?


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A journey into identity {Sula's Voyage by Catherine Torres}



Holding the banner high for literature from my homeland.

About Sula's Voyage by Catherine Torres: Fifteen-year-old Sula has always known she is different. Even though her parents have shown her nothing but love and acceptance, she sees her dark skin as a reminder of how she doesn’t fit in with the rest of her family.

What’s worse is she also feels that her parents are hiding something from her. After getting expelled from school, Sula reluctantly goes to stay with her mother’s friends. There she unexpectedly finds herself on a journey of self-discovery — a journey that keeps drawing her to the sea. Sula must not only figure our her parents’ secret, but also just how different, and possibly magical, she really is.

My two cents

Sula is an unusual child. She knows she is different because of her dark skin, of her strange abilities, and because she knows her parents have a secret that is somehow linked to her.

I must admit that I am biased. I knew that this book had a Philippine twist to it because it is written by a Filipino author. That in itself appealed because I wanted to read more Filipino literature, I want better representation of my country. But it got much, much better.

When I first started it—after much affection for the beautifully illustrated cover and matching bookmarks—I was much more fixated on the magical and mystical side of things. I was fixated on the possibility that Sula was a mermaid - after all, why did she have these strange powers? What were her parents hiding about their sea voyage on a traditional sea vessel back when they were still young? And what, if any, did that have anything to do with Sula's origins?

As the story started to round out, I was pleasantly surprised at how the mystical was woven into a highly nuanced tale of self-identity. This delves into the culture and practices of the Sama Dilaut, an indigenous tribe in the Philippines, better known as sea gypsies. I grew up knowing this tribe locally as Badjao (more here). I think that this is truly the heart of the story, a melding of the mystical with culture, history, and dare I say it, harsh reality.

Now, what made me extremely curious was Torres's personal connection with the Sama Dilaut story. I was rewarded at the end in her acknowledgements where she recounts that in elementary school, she was fascinated with this tribe's seafaring traditions and their dependence on the sea. She recalls that one practice was the throwing of newborns into the sea so they could learn how to swim.

I felt a little like that with this story - it has reminded me that I have only scratched the surface of literature from the Philippines. In this sea of global literature, I think it's only fair that I exert some effort in hearing the stories from my homeland.

Verdict

From unusual names to unpredictable storylines, here's a book that surprised me! This is one of my fave finds for the year — full of mermaids, sea gypsies, life out on the open sea, many inexplicable things and secrets all around. Yes, it's all that and more. If you're looking for young adult reading with plenty of surprises thrown in and with a cultural twist, then this is it. To be honest, even the paranormal in this was palatable to me! A truly unique read and I'm happy to recommend this to everyone.


This book was provided to me by the author for review consideration.


Loved Olive Kitteridge, the HBO mini series .. go watch it!



Sometimes, TV leads you to amazing book discoveries. This mini series is a gem and only heightens my anticipation to read the book. I recently write about 5 book-based mini series that I came across on CraveTV, my newest obsession. (I'm in a bit of a reviewing funk, but hey, TV is helping. Don't judge.)

I decided to watch this pretty much instantaneously upon discovering it. I remembered this series because it practically swept the Emmys.

The themes tackled are complex: marriage, family and small town living.

Marriage is already a landmine. Middle-age brings with it its own dilemmas of reconciling self-worth with old dreams and loves, of accepting and making peace with compromise, and determining what a sense of family constitutes. As life moves through the stages, and children move away, the complexity of marriage gives way to the complexity of parenthood and independence,

Small town life begs for a sense of community. Whether people like it or not, it's difficult not to get caught and involved in others' lives. In many instances, the containment pictured felt claustrophobic but oddly comforting.

It's all very realistic. It's also very complicated and while the story pulls together tightly, it does so unpredictably. Layers upon layers are slowly peeled away and oftentimes things aren't what they seem. And Olive? Well, her stoicism and hard demeanor and often misconstrued wry humour gives rise to a tender heart -- she's lovable in her own right.

The actors are powerhouses: Frances MacDormand (remember Fargo?), Richard Jenkins (I adored him in Six Feet Under), and Bill Murray (oh, Bill, Bill).

The cinematography is spot-on, beautifully and aesthetically pleasing, capturing the picturesque surroundings of Maine and the raw emotion of these amazing actors.

This is four hours, broken up in one-hour episodes, in a regular joe's life. But it's so real that I can't get this out of my mind. I want the book because I don't doubt that it'll be every bit as good as the series.

When I finished this, I couldn't make a coherent review of the series, a sure sign that I loved it. Right now, it appears that I still have few words to say about it except that I really, truly think you should watch this.

Links:






About Olive Kitteridge by Elizabeth Strout*: The Pulitzer prize-winning novel from the author of the Booker longlisted My Name is Lucy Barton*, Olive Kitteridge: indomitable, compassionate and often unpredictable. A retired schoolteacher in a small coastal town in Maine, as she grows older she struggles to make sense of the changes in her life. She is a woman who sees into the hearts of those around her, their triumphs and tragedies. We meet her stoic husband, bound to her in a marriage both broken and strong, and a young man who aches for the mother he lost - and whom Olive comforts by her mere presence, while her own son feels overwhelmed by her complex sensitivities. A penetrating, vibrant exploration of the human soul, the story of Olive Kitteridge will make you laugh, nod in recognition, wince in pain, and shed a tear or two.



Puny smuny. Sorrow smorrow. Anything but. {All My Puny Sorrows by Miriam Toews}


When the biggest irony is that I loved loved loved it.

About All My Puny Sorrows by Miriam Toews*: You won’t forget Elf and Yoli, two smart and loving sisters. Elfrieda, a world-renowned pianist, glamorous, wealthy, happily married: she wants to die. Yolandi, divorced, broke, sleeping with the wrong men as she tries to find true love: she desperately wants to keep her older sister alive. Yoli is a beguiling mess, wickedly funny even as she stumbles through life struggling to keep her teenage kids and mother happy, her exes from hating her, her sister from killing herself and her own heart from breaking.

But Elf’s latest suicide attempt is a shock: she is three weeks away from the opening of her highly anticipated international tour. Her long-time agent has been calling and neither Yoli nor Elf’s loving husband knows what to tell him. Can she be nursed back to “health” in time? Does it matter? As the situation becomes ever more complicated, Yoli faces the most terrifying decision of her life.

All My Puny Sorrows, at once tender and unquiet, offers a profound reflection on the limits of love, and the sometimes unimaginable challenges we experience when childhood becomes a new country of adult commitments and responsibilities. In her beautifully rendered new novel, Miriam Toews gives us a startling demonstration of how to carry on with hope and love and the business of living even when grief loads the heart.

My two cents

Upon putting this down, I sighed and felt my heart was full. This is what real, raw, honest writing is ... and wow, what that does to a reader. This moved me deeply.

Very few authors can pull off what this book has accomplished: it is funny yet compassionate, sensitive and sweet yet uncloying. When I see an obviously ironic cover, I can't help but duck sometimes - but yes, suspend judgment I did, because I loved Toews's A Complicated Kindness.

And lo and behold, I didn't even roll my eyes even once or inwardly groan or cringe. And that's saying a lot about a book that delves deep into the complicated stuff of sisterhood, depression, pain, suffering, assisted death, and suicide.

Toews is unafraid to articulate all those messy bits and then some. She lays it out bare, never mind being political correct. She takes no heed for taboos.

And the humor! Her humour comes with a really honest emotion that made me unafraid to continue reading. Especially charming about this book are the banter and dialogues which are very realistic and oh-so-relatable. In my mind's eye, I relived some of my own little arguments and conversations with family members. I loved getting immersed and invested -- mentally and emotionally - in Elf and Yoli's lives and the complicated relationship that rules most siblings. I couldn't believe it when the book rolled to its close. I wanted more.

***

This book takes place in Canada, more or less equally between Winnipeg and Toronto. I am familiar with both cities so it was lovely to see mentions of specific places including restaurants and landmarks and get a real sense of the place. Locals of these cities can't help but see these subtle little nods to beloved haunts.

There also little nods to literature and classical music. Throughout, there are mentions of much-loved books. I love classical music so the fact that Elf is a famous and tortured artist appealed to me - it lent a little more humanity and the suffering behind creating beauty.


Verdict

This is a gem of a novel in my eyes. I think anyone who loves and honest book will get sucked int this one. Highly recommended.

P.S. If you pronounce the author's last name as "toes" then you're not the only one! I'd been doing it for ages until I got heard someone say it otherwise (to my dismay and embarrassment). Here's how to pronounce Toews  - properly!



This is a book that qualifies for the Travel the World in Books Challenge. The story is set in Canada and the author is Canadian. Toews is well-known for her novel A Complicated Kindness.

Call the Midwife. I need book 2 stat. {Call the Midwife by Jennifer Worth}



Screen, paper: do them both!

Synopsis of Call the Midwife by Jennifer Worth*: London's East End in the 1950s was a tough place: the struggles of post-war life - bombsites, overcrowded tenements, crime, brothels - bred a culture of tight-knit family communities, larger-than-life characters and a lively social scene.

It was into this world that Jennifer Worth entered as a trainee midwife. But docklands life was tough, and babies were often born in slum conditions. In funny, disturbing and heartbreaking stories, Jennifer Worth recounts her time among nuns, prostitutes, abortionists, bigamists, gangsters and expectant mothers, portraying East Enders' amazing resilience - and their warmth and humour in the face of hardship.

Written with affection and nostalgia, her midwife stories chronicle the lives, traditions and tales of a bygone era.


My two cents

Oh, movies. Or in this case, Netflix. *sigh* They spoil the book sometimes. I bingewatched the Netflix series and loved it so much that I couldn't wait to dig into the book. I can't review the book without sounding like a silly broken record, so read the Netflix review I FIRST. (Then come back and this review will be waiting).
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No, I'm serious. Go on, read it first.
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So, you're back from my glowing review of the Netflix series, I see. Settle down with a cuppa and let's chat.

So, yes, I loved the book!

Lest you think I hated the book, that's not the case. The book is amazing. It's a truly affecting and provoking memoir. I appreciated the epilogue which gave Worth's short personal history as well as summing up some of her key observations and realizations about her time as a midwife. It is a critical piece, as it sets the stage for the realizations that are bound to happen to you as a reader.

Overall, the book (and the series) are meaningful to me because it made me appreciate so many things that we take for granted today. If we think about how recent the 1950s is, it seems shocking to imagine the squalid conditions and the poverty of England during the time.

Even more shocking is to me is that it highlights a time where medicine was still practically in its infancy, at least against today's standards! It seems almost medieval to think of a mostly uninformed and almost barbaric methods for abortion, of separating single mothers from their children without any heed for the psychological and physical trauma this inflicts, a dearth of reliable contraception, the prevalence of tuberculosis and other totally curable diseases, and the lack of understanding of PTSD.

But let's focus on midwifery. Worth mentions that midwives are never the subject of books. Before I read this book, try as hard as I could, I couldn't remember a title of one book that dealt with the subject matter. Can you recall one?

What strikes me as even more ironic is that Worth and the midwives she worked with, with the exception of some of the older nun midwives, were in their early 20s. The gravity of their work at a young age astounds me - delivering countless children when they themselves have never borne one!

Summed up with the huge strides made in medicine in the past few generations, and the tireless work that these young women dedicated a better part of their lives, it has allowed for the life-changing benefits for women, children and communities. The impacts of this period of hardship and learning continue to influence society's attitudes towards caring for the mother's and child's well-being. We're truly blessed indeed!


Uh-ohs

Now, the disappointing news. I caution anyone who watches the series first that if you're reading the book, you will recognize some major deviations in the storyline of each of the episodes. I got slightly confused, for example, that the story of one person in a Netflix episode is actually a mishmash of the stories of 2-3 people. Credit to the screenplay writers of the series, though, to be able to cram in so much detail into one episode. I like to think of the two media as separate experiences in themselves. I simply choose to immerse myself into the written word at the moment but will no doubt rewatch the series again.

Verdict

Read the book. Watch the Netflix series. Be provoked and inspired.

Links


You can mess with my mind anytime, Ms. Flynn! {Gone Girl by Gillian Flynn}



Ms. Flynn, you got me. 

About Gone Girl by Gillian Flynn*: On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer?

My two cents

(What a great book to jolt me out of my reviewing slump!)

I'm obsessed with this book.

I know I am late in joining the Gone Girl bandwagon but I'm hopping on, willingly, and with guns blazing. Because it's been a while since I've read a book so utterly engrossing and so utterly ... brilliant. I finished it ... and promptly reread it. (I'm still in the the throes of the reread, and I'm just enjoying it even more.)

I can't get into the detail of this book without spoiling it for first time readers (or movie watchers) so I will simply leave the storyline alone: a quick review that is spoiler-free but may be somewhat cryptic in places.

So, I'm obsessed. Here's why:

It's unpredictable

This entire book is a brilliant mind game played between a hubby and wife, and unwittingly a mind game that Gillian Flynn plays on her readers. There are two parts to this book and I've realized that readers either will play along with Ms. Flynn or simply hate it. It's a polarizing experience -- love it or hate it -- with a passion. I was dazed when I finished it. I went "Oh sh**" then heaved a sigh reeking of "OMG" and surprisingly, wallowed in the reality that is the twistedness and perversion that I had just read.

It's psychologically insightful

Know the whole he said, she said shebang? This is the ultimate. This is all about a marriage and highlights the very intimate mind meld relationship that can exist between a couple. It can pendulum from the good to the bad, and this particular book shows the extremes that are often difficult to stomach.

Another interesting dichotomy explored is the wide difference between reality (private persona) versus public perception. The role of media -- the good, the bad, and the ugly -- are fully expounded upon in the storyline. How many times have you passed judgment on a case or a person based on what you heard in the news, saw on TV, or even social media? We all do it. In this day of easy access to information, forming opinion based on the constant stream of fact (and plenty of fiction) is an easy trap to fall into.

Lastly, I can't believe that I fell for Flynn's "game" so easily. The way that this story is structured out makes me want to read more of her work, for the simple  (and awesome) reason that she has so much insight into her very readers' psychology. Not all authors can pull off a mind game so brilliantly, so annoyingly, and so effectively. Kudos, Gillian Flynn.

It can actually happen (scarily so)

In the back of my mind, what really struck me about Gone Girl is that it's very possible that this could happen, and to anyone. It's a difficult thing to accept that no one can really know any one person, no matter how close we can be, whatever relationship can bear some uncertainty. But it's doubly difficult to know someone's deepest, truest, and ugliest self ... and if not being able to accept it, to at least be able to acknowledge and understand.


Verdict:

Looking for a mind trip? Try Gone Girl. Then tell me if you're in the love or hate camp!

Highly recommended reading for those who despise predictable, cookie cutter characters and willingly desire to be surprised, shocked and challenged.



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How does one stay whole, sane, live with integrity amidst contradictions? {Snow by Orhan Pamuk} @ReadNobels


How does one stay whole, sane, live with integrity amidst contradictions?

About Snow by Orhan PamukDread, yearning, identity, intrigue, the lethal chemistry between secular doubt and Islamic fanaticism–these are the elements that Orhan Pamuk anneals in this masterful, disquieting novel. An exiled poet named Ka returns to Turkey and travels to the forlorn city of Kars. His ostensible purpose is to report on a wave of suicides among religious girls forbidden to wear their head-scarves. But Ka is also drawn by his memories of the radiant Ipek, now recently divorced. Amid blanketing snowfall and universal suspicion, Ka finds himself pursued by figures ranging from Ipek’s ex-husband to a charismatic terrorist. A lost gift returns with ecstatic suddenness. A theatrical evening climaxes in a massacre. And finding god may be the prelude to losing everything else. Touching, slyly comic, and humming with cerebral suspense, Snow is of immense relevance to our present moment.

My two cents

So here's a review that has been languishing in draft. It's because I couldn't pick up another book for maybe about a week after reading this book: it gave me such a horrendous book hangover. In the best possible way: it provoked, it triggered so much in me. It got to me, ok, pretty hard.

This book is deceiving; it doesn't look all that thick but it is actually 426 pages, and crack it open and the text is tiny! Dense. I struggled to get past that fact in the beginning but once I made it into the second chapter, I was hooked. It is a pithy novel, like someone poured their life into it, and I doubt that's not far from the truth for Orhan Pamuk.

I loved that this was such a challenging read. I find it disconcerting that reviews are polarized. But I understand where people are coming from - it's hard to get around the fact that this is about a depressingly solitary and misunderstood life in a far flung country whose realities I know little about (although sadly, plenty in the news lately). But surprisingly that's what I loved about it: learning and getting out of my comfort zone, and realizing that despite country, culture, religion, everyone is merely trying to live their lives the best they can.

Collage of Kars, Turkey. 
By Kars Church Of The Apostles 2009.JPGBjørn Christian TørrissenKars Kalesi1.jpgSabri76Kars Panorama.JPGBjørn Christian Tørrissen - Derived from other images, as noted under Author, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=34628630

Ka's solitary life is cobbled together from the viewpoint of Orhan Pamuk who is Ka's friend. Notice the author insertion here? In that respect, this reminded me of Ilustrado by Miguel Syjuco. And like Syjuco's presentation of Philippine history, Pamuk allows us a glimpse Turkey's history, one where religion, politics, and power is complicated and multifaceted. The traditional clashes with the modern; nationalism is at odds with the status quo towards assimilation; Islamic belief, secularism and traditional religion are a contradictory mix; and the Eastern and Western belief systems collide. I wonder: how does one stay whole, sane, and live with integrity amidst these contradictions?

I love how Blue, Kars's resident revolutionary, is able to make sense of the dilemma:
"I refuse to be European, and I won't ape their ways. Im going to live my own history and be no one but myself. I for one believe it's possible to be happy without being a mock European, without becoming their slave. There's a word Europhiles very commonly use when they denigrate our people: to be a true Westerner a person must first become an individual, and then they go on to say that in Turkey, there are no individuals! Well, that's how I see my execution. I am standing up against the Westerners as an individual; it's because I'm an individual that I refuse to imitate them." - p. 314

Yet another dilemma presented is the reality of being a veiled woman in Turkey (sidenote: another book that tackles this on a more personal level is Silk Armour by Claire Sydenham, a book I highly recommend). The contradictions of revolt and freedom, of tradition and constraint is something that women must contend with daily in society to determine their own sense of identity. The rash of suicides of veiled students was an intriguing way of couching this daily struggle.

Poetry throughout, music, theatrical presentations: I reveled in the power of media in informing and agitating people, presenting fact and differing opinions, and affecting change. It highlights the fact that music and the arts is never going to disappear from our lives.

I can't not comment about the obvious theme of snow carried throughout the book -- its coldness and sadness it evokes, the stark white landscapes that it conjures. But also its beauty. Contradictions.

There is so much more to this book that I hate the idea of breaking this review down too much (plus I fear that my not completing this review will end up in my never getting this review up at all!). The most powerful thing for me about this novel is that this got me thinking and asking more questions, of learning about Turkey's multifaceted society and knowing that history shapes the lives of its inhabitants in many ways that we would never imagine possible.

Uh-ohs

There are certain aspects of this novel that raised a red flag in my mind. The most obvious is that this dense tome is intimidating. I actually read this over an entire month, in little manageable bits. I won't deny that it's heavy reading, but so totally worth it!

Another, the snow theme became academic towards the end. It kind of fell flat for me when I saw the diagrams and I thought the author carried it tad far. I often wonder with works like this if things get lost in translation (because this is a translated work), something I can only speculate about.

Setting

Set predominantly in Kars, Turkey, the landscape for this story is a fascinating mix of old and new built upon a history of conflict. Historic accounts and folkloric stories abound in this novel but one needs to read between the lines, do their research, especially if coming in from the cold.

Kars was the capital of the medieval Bagratid Kingdom of Armenia. In the 19th century, it was battled over by the Ottoman and Russian empires, with Russia eventually gaining control. During the First World War, the Ottomans took control of the city in 1918 but relinquished it to the First Republic of Armenia following the Armistice of Mudros. In 1920, Turkish revolutionaries captured captured Kars. The Treaty of Kars was signed in 1921 between the Government of the Grand National Assembly and the Soviet republics of Armenia, Azerbaijan and Georgia, establishing the current north-eastern boundaries of Turkey. Learn more here: Wikipedia - Kars, Turkey



Verdict

An intimidating and challenging read about the tragically solitary life of a revolutionary in Turkey. Dense, provoking and allowing for introspection, I highly recommend this for those who'd like to learn more about the history and realities of conflict-ridden countries, and those intrigued by Pamuk's ability to encapsulate the dilemma of national self-identity vis-s-vis personal self-identity in novel form.

***

I read this book as part of the Read the Nobels 2016 Reading Challenge. This is written by Nobel Prize for Literature Laureate Orhan Pamuk.

Read the Nobels 2016
 Join the Read the Nobels 2016 Reading Challenge anytime until December 31, 2016.

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My withdrawal symptoms from bingewatching "Call the Midwife" on #Netflix


I just finished 3 seasons of Call the Midwife on Netflix. *SIGH* I'd never ever thought I'd say I am starting to hate Netflix ... not in a bad way. Netflix can't keep up with my appetite for the good stuff (and by that I mean I want more seasons, pretty please). Call the Midwife is probably one the best series I've ever watched. I'd file this away with my all-time faves like Picket Fences, Six Feet Under, and Breaking Bad.

The series has been around since 2012 (have I been living under a rock?!) and it now Season 5. Canada's Netflix only has Seasons 1-3.

What it's about

This period drama follows the day-to-day lives of a group of young women with a handful of nuns of Nonnatus House (interesting trivia: St. Raimund Nonnatus was born by Cesarean section; Nonnatus means "not born" in Latin) . These young women are a force to reckon with, serving the midwifery, and often medical needs, of the slums of Poplar district, London in the 1950s-60s.

The main character is Jenny Lee, portrayed by actress Jessica Raine, the young lady in the middle of the poster). Having grown up a sheltered life, she is shocked by her own decision to work in her new profession of nursing and midwifery -- which turns out to be a life changing in so many ways. She finds a second family in her profession and becomes part of a humble yet generous community.

Why I love it

Can I just say because? Everything about this series appeals to me: it's funny, it's heartwarming, and it's real. It's about life and life lessons. It's about poverty and making the best of it. It's about motherhood, sacrifice and love. It's about the brutality and tragedy of poverty but also about the kindness and the beauty in humanity. And it's history not only of the UK during the post-war with its difficulties and challenges but also of the tremendous advances in medicine in general.

Each episode is special and memorable, typically involving the encounters of the much-esteemed midwives with a bevy of Poplar residents. An episode is a day-in-the-life of a resident. I have a number of favourite episodes (just keep reading).

Chummy learning to ride the bike (and she meets her
hubby-to-be by running into him - bike and all!)
Of course, a highlight in each one is a birth -- complete with a twist if drama and even some humour -- and with amazing cinematography with only days-old babies! It makes watching so much affecting. I can't help but feel myself holding my breath or feeling my heart racing during the difficult deliveries (too close for comfort). And babies ... well, whose heart doesn't melt a little bit with a baby?

The characters are all based on real people so it makes me feel like I have gotten to know some very worthwhile human beings in this series. Worth mentioning is my especial favourite, Chummy, who is played by Miranda Hart. What a wonderful character, immensely bighearted and just so loveable. There is a character for everyone, making the stories moreso relatable to watchers; I am sure you will find your own favourites!

Tuberculosis. Birth control. Family planning. PSTD. Mental health. Medicine has grown in leaps and bounds in the past 50-80 years that it is often difficult to imagine a time when these afflictions were little understood and effective methods and treatments were only just beginning to take shape.

I cannot not mention that the series is narrated by Vanessa Redgrave in past tense, evoking the memoir-style because ...

... of course, this is based on a book!

This series is based on the best-selling memoirs of Jennifer Worth also titled Call the Midwife. I have my eye on the trilogy. The series was *just*so*good* I can only imagine that reading the source material will make me better understand the difficulties folks of this era had to face.

Anyway, I believe in serendipity. Over a snack, I mentioned how enamored I was with this BBC series to a colleague and we had a lovely chat. AND she has a copy of the first book -- which is now in my hands and I am raring to go! You can take a peek into this book in my recent Friday 56/Book Beginnings post. Snippets sooo good ...!

A few favourite episodes

Season 1, Episode 2: Introduction of new midwife Camilla Fortescue-Cholmondeley-Browne, nicknamed Chummy (because what would this series be without Chummy?). She is a huge woman with a very charming old-world way of speaking and is a natural people person, making her wards very comfortable around her. Coming from a well-to-do family, she struggles to gain Sister Evangelina's approval. As the bicycle is the fastest means of getting around the community, it is a challenge for her to learn this new skill ... but it is instrumental in her getting to know her to-be-man local policeman Peter Noakes.

Jenny with Joe
(Photo from PBS)
Season 1, Episode 3: This episode was a double whammy and sealed the deal for me - I had to keep watching this series! Jenny is assigned to help with the medical needs of Joe, an elderly former soldier who lives in a condemned tenement block destined to be torn down. She goes over and beyond her nurse duties and becomes his fast friend. Meanwhile, midwives Trixie and Cynthia deal with the inexplicable anxiety of an older pregnant woman whose husband dotes on her throughout the pregnancy. A secret is revealed during the birth, with my heartstrings tugged every which way.

Christmas special (2012): The Christmas special shares the heartbreaking story of the destitute Mrs. Jenkins, a survivor of the workhouse. I had no idea of the appalling circumstances that the poor had to face in the workhouse, and the "workhouse howl" in the episode sent shivers down my spine. She keeps mistaking Jenny for her daughter Rosie whom she lost when admitted to the workhouse. Since this is a Christmas special, it also features the secret pregnancy of a teenage girl who is charged with taking care of her brothers. Fearing the ire of her parents, she delivers her child by herself and leaves the baby at Nonnatus house. The community is intent of trying to find the mother.

There were many more but I urge you to watch this series yourself.

Verdict

Looking for an amazing and worthwhile Netflix watch? I highly recommend Call the Midwife. You will laugh and cry and experience every emotion in between.



Synopsis of Call the Midwife by Jennifer WorthLondon's East End in the 1950s was a tough place: the struggles of post-war life - bombsites, overcrowded tenements, crime, brothels - bred a culture of tight-knit family communities, larger-than-life characters and a lively social scene.

It was into this world that Jennifer Worth entered as a trainee midwife. But docklands life was tough, and babies were often born in slum conditions. In funny, disturbing and heartbreaking stories, Jennifer Worth recounts her time among nuns, prostitutes, abortionists, bigamists, gangsters and expectant mothers, portraying East Enders' amazing resilience - and their warmth and humour in the face of hardship.

Written with affection and nostalgia, her midwife stories chronicle the lives, traditions and tales of a bygone era.

Links

I welcome this demon of a writer {Of Love and Other Demons by Gabriel García Márquez}


A demon of a writer, that's Gabo.

About Of Love and Other Demons by Gabriel García MárquezOn her twelfth birthday, Sierva Maria, the only child of a decaying noble family in an eighteenth-century South American seaport, is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train. As he tends to her with holy water and sacramental oils, Delaura feels something shocking begin to occur. He has fallen in love, and it is not long until Sierva Maria joins him in his fevered misery.

Unsettling and indelible, Of Love and Other Demons is an evocative, majestic tale of the most universal experiences known to woman and man.


My two cents

I first read this in 2004 and fell in love with it immediately because of Marquez's gorgeous language and a love story steeped in the religion and superstition of 18th century Colombia. I dug up my old copy so I could reread it for the Read the Nobels 2016.

But you already know I wax poetic over Marquez having read a number of his books. I already know that I can never write a review that does this book justice. I have been agonizing over this review for far too long that I know if I don't just write it, I will never hit publish. So here goes ...

The inspiration

I always find it fascinating to learn where authors derive inspiration for their stories. Inspiration alone makes me wonder about Gabo who opens his book with two and a half pages explaining just that: in 1949, cub reporter Marquez in search of a news story visited the historic Convent of Santa Clara in Colombia where burial crypts were being removed to give way to a five-star hotel (you can see the proof here of what replaced the convent).

Marquez witnesses the wholly unsentimental exhuming of bishops and abbesses buried there for hundreds of years. Until they come upon a crypt of a young girl whose copper hair fairly bursted out of the crypt ... all 22+ meters of it! Hair grows even in death and based on scientific calculations, the young girl had been dead for over 200 years.

If fact wasn't strange enough, Marquez makes an uncanny connection with a legend he heard in his boyhood: a marquise with coppery hair that trailed behind her, venerated by many for the miracles she performed, who died of rabies. Talk about serendipity! And I am always in awe of how Marquez is able to weave something beautiful, with his brand of magical realism!
 

The story

Surprisingly the plot is extremely simple. Set in the 1740s in the remote South American port town called Cartagena de Indias, twelve-year-old Sierva María de Todos los Ángeles, is bitten by a rabid dog. The only daughter of a moneyed, prestigious yet decaying family, is sadly unloved and brought up by the black slaves that served them. She grows up as an oddity, obviously white in appearance but with the language, customs and superstitions of the blacks. 

News around the town is the rabid dog is dead and those who were bitten were suffering or dead. Although Sierva María's bite wound is insignificant and she exhibits no symptoms of rabies, the news travels far and wide. Her father, attacked by his conscience, only wants to quell rumours and he seeks out doctors to cure her. When regular doctors fail, quack doctors render painful treatments, resulting in Sierva María's violently resistance. Combined with her black behaviour, she is believed to possessed and then the news reaches the Bishop.

Sierva María is brought by her father to the convent of Santa Clara and the Bishop's protégé Father Cayetano Delaura is tasked to perform the rites of exorcism. Face to face with Sierva María, he is unprepared to fall in love, the "most terrible demon of them all." This love story plays itself out in all glory and all its tragedy.

The powers of love and passion

The themes of love and passion are replete, as is its unbidden powers for good and also the ability to destroy. The main love story is that of Sierva María and Father Cayetano Delaura, a forbidden love between a priest and a teenager believed to be possessed. However, there are more love stories that play themselves out, also unusual and tragic.

There is the sad union of Sierva María's parents, Don Ygnacio de Alfaro y Dueñas and his rapacious second wife Bernarda Cabrera -- a marriage borne not out of love but of trickery and deceit. His first wife who died early meanwhile was a marriage borne out of the desire to observe propriety and ensure stability of wealth. Don Ygnacio felt he had no choice but to spurn his true love but ended up living a life devoid of love all this life.

Bernarda meanwhile is a larger-than-life character (probably my favourite in this book) who schemes to win Don Ygnacio through her sexuality. But it is her unquenchable sexual appetite that is also her downfall, destroying her beautiful body and practically selling her soul to an equally rapacious slave.

Colonization and the Church

What stands out to me is this book's milieu. It is a time where the Catholic Church ruled supreme and everyone followed unquestioning, or risk the so-called fires of hell. Traditional cultures were usurped as countries were colonized by the Catholic Church. Traditional African cultures like Yoruban, Congolese and Mandingo had belief systems that were at odds with or were misunderstood, and by default anything that ran counter to Catholic Church belief was believed to be heretic, demonic. This was exacerbated by the fact that scientific thought was also believed to be heretic and superstition became yet another layer of ignorance for the common person.

Sierva María was the poor victim of cruelty borne out of this ignorance. Despite no symptoms of rabies, her unusual behaviours had their explanation in being raised by Dominga de Adviento, the formidable black woman who taught Sierva María to live as black. At one point Bernarda remarks that "The only thing white about that child is her skin" and sadly Sierva María lived in both cultures but never really fit in either.

The people who did understand Sierva María's true situation -- Abenuncio, and later on another priest -- were in the minority and whose voices did not hold sway in the wake of the powers-that-be of the formidable Bishop and the convent's ignorant Abbess.

Characters to empathize with

Do you know how some books leave you cold because the characters are so unlikeable or you simply develop no connection with? I have read the multiple times and I am entranced by how multi-dimensional and oftentimes how complicated these characters are. I felt Sierva María's frustration and annoyance at those "ridiculous white people." I understood why Delaura sought penance for succumbing to his love for Sierva María. I felt as conflicted as Don Ygnacio to save his daughter's soul while sending her to certain death. What surprises me each time, though, is how much I gravitate towards Bernarda, who is probably among the most cruel, grotesque characters. I have a soft spot for her because of her intelligence (even though she is a brilliant scammer) and her desire, even desperation, to give to the one she loves.

Verdict

One of my favourite books by Gabriel Garcia Marquez, its simple plot and easy to read language belies that fact that this forbidden love story is only a facade for a profound look at the effects of colonization on traditional cultures. I highly recommend this read!



Read the Nobels 2016
This is my second read/review for Read the Nobels 2016

A glimpse of Lyra after the trilogy {Lyra's Oxford by @PhilipPullman}



A glimpse of Lyra, and a promise of things to come.

Back blurb of Lyra's Oxford by Philip Pullman
Lyra's Oxford opens two years after the conclusion of Philip Pullman Amber Spyglass in the comfort and familiarity of Jordan College.

Lyra and her dæmon, Pantalaimon, sit on the sun-drenched roof looking out over all of Oxford, but their peace is shattered when a strange bird - a witch's dæmon, on its own - tumbles out of the sky, in search of a healing elixir to cure his witch of a strange new disease. Lyra and Pan decide to help - witches are friends, of course - but the closer their winding walk leads them toward the infamous Oxford alchemist, the stronger Lyra's sense that something is amiss.

My two cents

Forgive me if I'm reviewing a supplementary book and this will likely only resonate with readers and fans of the His Dark Materials Trilogy. This trilogy is one of my all-time favourite fantasy books and unfortunately remains unreviewed for the same reason that I would find reviewing Tolkien's The Lord of the Rings maybe a little ... sacreligious.


As a quick background, the trilogy consists of The Golden Compass, The Subtle Knife and The Amber Spyglass. It is about a young orphaned girl called Lyra Belacqua who travels through parallel universes -- universes that include witches, people who have dæmons (kind of like your soul in animal form), politics of an almost theological flavour which spur on historic wars. Maybe you've heard of the movie The Golden Compass, which captures some of the grandeur of the books (but I realized early in the movie -- with a sinking heart --that fails to stick the storyline in the books).

This particular book is a little glimpse of Lyra's life back in Jordon College, set in a parallel universe that sounds eerily of London, following the conclusion of the third book The Amber Spyglass. The story is extremely simple that it makes me wonder why it was even presented as a separate book! It is basically Lyra's run-in with enemies that she unwittingly made as a result of her actions in the trilogy (you see, no spoilers).

This is so obviously a reminder for fans that the trilogy is not over. It whets the appetite for a reread of the trilogy ... and for the magically detailed universes that Lyra move in. Since it was early 2000 when I encountered this series, I am just reacquainting myself, quite by serendipity when I bought this book in the thrift store. While looking up this book for this review, I was a little surprised to learn that there is actually a fourth book in the making since 2005! Called The Book of Dust, and apparently not part of the trilogy but a companion book, it is supposed to be released in 2016.

Pullman's huge draw with this series is his amazing world building where alternate universes become so detailed that you can almost imagine them to be real. I can only liken the series to the complex worlds built by Tolkien in The Lord of the Rings. One little perk of this slim book -- you can probably see why I can't resist any of Pullman's work -- is this fold out map of Oxford. Tracing Lyra's paths, it makes an imaginary world feel so much more tangible and is only a taste of what lies for any reader daring to pick up these books. I hope you're one of them!

You can travel Oxford by train, river and zeppelin ... how else!?
Am always impressed with the artwork in Pullman's books, many of which he illustrates himself.

Verdict

I liken reading this book to meeting an old, dear childhood friend on the street: it's like nothing has changed, but everything has. But it doesn't stop me from getting nostalgic. And while one can't relive the past, I can certainly reread the trilogy again ... a treat I relish! I am also anticipating the release of Pullman's The Book of Dust!

Do you have any books that remind you of dear friends?




Shades of Alice: "We're all mad here" {Veronika Decides to Die by Paulo Coehlo}


"We're all mad here."
- the Cheshire Cat in Alice in Wonderland by Lewis Carroll

About Veronika Decides to Die by Paulo Coehlo:
Twenty-four-year-old Veronika seems to have everything -- youth and beauty, boyfriends and a loving family, a fulfilling job. But something is missing in her life. So, one cold November morning Veronika decides to die. She takes a handful of sleeping pills expecting never to wake up. But she does -- at a mental hospital where she is told that she has only days to live.

This poignant international bestseller by the author of The Alchemist takes readers on a quest to find meaning in a culture overshadowed by angst, soulless routine, and pervasive conformity. Based on events in Coelho's own life, Veronika Decides to Die questions the meaning of madness and celebrates individuals who do not fit into patterns society considers to be normal. Bold and illuminating, it is a dazzling portrait of a young woman at the crossroads of despair and liberation, and a poetic, exuberant appreciation of each day as a renewed opportunity.

My two cents

Paulo Coehlo is one of those authors many wax poetic. I haven't read his popular The Alchemist so I have no preconceptions about him or his writing. However, the blurb and the intro for this book carries some heavy heavy realities of Coehlo's personal struggle with depression and suicide, so I started this book warier than usual (semi-autobiographies are often tough to read).

Veronika is young, beautiful and has her whole life ahead of her. But she's unhappy - not in the dramatic, emotional, dark way that we've come to think of depression - but in the insidious, under-the- radar type of way. In fact, while Veronika is waiting for her overdose of pills to take effect, she is stressing about a tech article that came out in a magazine that chirpily asks "Where is Slovenia?" It triggers something strangely patriotic in her and it occurs to her that since she is in the middle of writing a tell-off letter to the editor that people may connect her suicide with this teeny tiny detail.

But her suicide attempt is thwarted as she wakes up and realizes that she is confined in a mental institution called Villete. She is told that she has irreversibly damaged her heart and that she has only days to live. Unexpectedly this awakens the desire in Veronika to fight for her life, and by default, enjoy her last moments on earth. In her so-called "journey back to sanity," she comes to the "aha" moment that she can simply do what she wants to do - inhibitions and convention be damned - as people are tolerant at least and oblivious at best to those who are labelled mad.

What Veronika doesn't realize is that she is also affecting her fellow patients, who are shocked out of their complacency by the incongruity of Veronika's situation. One of these is a long-time patient, Zedka, who is clinically depressed. Another is Mari who has panic attacks. Lastly there is schizophrenic Eduard, initially attracted by Veronika's piano playing and with whom Veronika eventually falls in love.

Explored in this slyly humorous account of Veronika's Villete stay is the concept that the world is actually collectively mad. What is insanity? It is subjective, depending on which "side of Villete" you're looking at it from. What if the mad ones weren't the people confined in asylums, the outliers, the oddities? What if they were the sane ones and everyone else in the world is mad? This brings to my mind the grinning Cheshire Cat in Lewis Carroll's Alice in Wonderland who proclaims to Alice "We're all mad here." Flipping the idea of madness on its head brings to light that sometimes it takes the desire to buck convention or conformity to be able to live joyously and honestly.

There is a surprise twist at the end that made me go "What!?" Things really have a way of working themselves out, whether by grand design or by serendipity. I still choose to think that the world is a generally benevolent place - it is up to us how we choose to live in it.

Verdict: 

A slyly humorous account of a failed suicide, bringing to light that insanity and conformity are concepts that can be grappled with from both sides of the asylum wall. Sometimes taking the "mad route" is actually the only way to live joyously and honestly. Yet to meet Coehlo? Pick up this or any one of his books as he always has an interesting viewpoint.

·
OLDER



© guiltless readingMaira Gall